So, let’s get this whole rating thing out of the way, right off the
bat. True
Memoirs is an OK movie. It’s 5.9 out
of 10 on IMDb, it received 43% positive ratings on Rotten Tomatoes, got an
average rating of 3.9 out of 5 on Netflix.
But the first five minutes of it had me rolling on the floor. You see, the movie starts with the author,
Kevin James, working on a book. He gets
to a fight scene where he can’t make up his mind – is it going to be
fists? Knives? Guns?
And while he’s making up his mind, his fictional characters are sitting
around, drinking coffee, working on their tans.
I don’t quite see my characters when I’m not writing a scene, but what
I do see – and what made this part of the movie so funny to me – is all the
different variations on actions, dialog, gestures, and facial expressions that
I go through before I settle on one.
Does my hero grimace here? He was
just frowning. And of course, my brow
furrows at that point. I could say I was
concentrating, trying to find the right word.
But truthfully, I was thinking, he looks like this. Now, how do you put that into words? All the slumping in my chair, pounding my
forehead with the palm of my hand, shrugging with my palms up – it’d be funny
to watch me as I write…or maybe, it would be a bit scary?
I’ve also had the experience of being so involved with the trees of
gestures and innuendo and the like that I missed the forest. I had one scene that I worked several times
trying to get the interaction between the primary male and female characters
just right. He was making
breakfast. She had just come downstairs
from the bedroom in her PJs. (And no, he
had slept downstairs on the couch – you’re getting ahead in the story). Anyway, there was all this light, playful
banter, teasing and shy smiles, mock exasperation and laughter. And after breakfast, they jump in the car and
leave. It was one of my trusty beta
readers that pointed out that my female lead had just gone to the store in her
PJs. Yeah, but I nailed their gestures.
Happy Writing,
BmP
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