In Liberty’s Last Stand, President Barry
Saetoro’s uses the cover of terrorist attacks to declare martial law, adjourn
Congress, suspend the constitution, and jail his detractors. He wants to be dictator of the United
States. There’s also a political message
in the book, a precautionary note about liberal, left-wing politics. That message, however, becomes extremely
muddled, significantly detracting from an otherwise outstanding thriller.
Politics aside
(if you can do that), this is an extremely well written story. It grabbed me in the opening scenes with good
action and interesting characters, and it never let go. Series figures Jake Grafton and Tommy Carmellini are featured and right in character. But we’re also introduced to a host of new
players, and Coonts does an admirable job developing them and making them feel
real. Plot twists and suspense aren’t
highlights of this book; it’s clear where it’s going from the outset. But Coonts keeps the tension building and
uses a few, well-placed misdirects.
There is one plot flaw, at least for me.
It was much too convenient the way Grafton organizes resistance that
appears after the coup but claims he couldn’t have done the same
beforehand. And he’s Director of the
CIA? Really?
With the rather
consistent references to left-wing politics and their devastating effect on the
country, the thriller aspect of the novel almost takes a back seat to the
politicking. That’s unfortunate, not so
much because it occurs, as many authors decry a variety of excesses of that
harm society. But the problem with the politics
in this book was that the message got quite muddled because Saetoro wasn’t a
left-wing politician. He was a
fascist. Even with the varying and
conflicting meanings of left and right-wing, Saetoro was a right-wing wolf in
left-wing sheep’s clothing, complete with delusions of absolute power and a
chosen race. His claims to typical
left-wing causes were a ruse. To him,
climate change was a means to keep the masses under his rule, not a way to save
the planet. And because of that, all the
diatribes in the prose and dialog about left-wing politics, all the attacks on
Saetoro’s label rather than the man, became tedious sermonizing.
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