Do you like straight talk in your novels? The
Cabal has it. People aren’t pierced
by a projectile; they’re shot. Their
life force doesn’t ebb from their body; they bleed. It’s a great style for action, and the Cabal
has that too. From the opening scene in
which a businessman is assassinated in Singapore to the finale when Powell is
trapped in his office by the same man, the action comes steadily,
relentlessly. Yes, there’s a bit of
romance, some humor, and a few clever nods to politics in both the US and the
UK that round out the story, but action is at the heart.
The ruthless Chairman gets top billing as the villain, but he
is not the only obstacle Powell has to face.
The unwitting pawn of the Chairman, the husband of the woman Powell is
protecting presents his own challenges.
And very soon, Ward paints him as a man easy to hate. I did.
The abused woman, Rose, on the other hand lacks the self-esteem
necessary to pull herself from this man, further complicating Powell’s mission
and making me feel both pity for her and frustration – someone drag her out of
there. But the fact that these
characters elicited so much emotion testifies to how skillfully Ward uses his
writing style. I didn’t necessarily
expect that.
There were a few plot weaknesses in the book. For example, the letter that implicated the
husband’s involvement was in the un-emptied recycle bin on his computer. Seems a bit amateurish for someone involved
with terrorism. As another example,
Powell makes Rose dispose of her phone, but let’s her kids keep theirs. And he keeps his. Avoiding phones seems pretty basic, if you
want to stay off the grid. But such
issues are minor in the context of the story.
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