A “freelance, industrial spy.” That’s how Reich describes his protagonist,
Simon Riske, in the synopsis. I wondered
because when Riske isn’t running his sports car restoration garage, he’s using
skills he honed during his criminal youth to perform ‘odd jobs’ for banks,
insurance companies, and even the British Secret Service. It’s an interesting career path – one that
places him in the quagmire of long-term vendettas, shifting alliances, and political
secrets on an international scale that are the plot of The Take.
The book has all the action you could
want. Assassinations from afar and
face-to-face, some with quick and painless deaths, others not. There are knife fights and gun battles. Even a high-speed game of chicken. But as much as those events suggest
gut-wrenching tension, they don’t necessarily produce it. Some of the incidents are implied, occurring
between chapters rather than in one.
Some are in prolonged flashbacks that add greatly to character
development, but that can slow the pace.
Other events are handled clinically, with the victim dispatched almost
before the scene begins. Not that I’m
seeking gory details, but a chance to see the characters sweat, hear their
hearts pounding would have added to the story.
It’s also a book that when you finish, sit back, and ponder, it will
feel a bit contrived. When incredible
skills are needed, Riske and his friends have them. But in the next scene, they will do something
inexplicably foolish. Even the foundation
of the story, why this all happens, feels a bit artificial in retrospect.
But what’s not lacking is suspense produced by an
intricately interwoven plot. By the
finale, there are five opposing forces, each with their own objectives and
motivations. And who will end up on top
and how they will prevail kept me guessing to the very end…even into the
Epilogue.
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