Do you like bigger than life, epic action/adventures? If yes, then you may have found the right
book in the Tomb of Aradia. It has everything you could ask for. A young, dashing protagonist, Jules, who’s a
world-class, parkour practitioner, even calculating complex maneuvers on the
fly (like the length of a bungee cord needed to land softly – imagine what
happens if you make a mistake). He also
boasts encyclopedic knowledge over an immense range of topics. The story boasts buried cities and ancient
civilizations with strange, perhaps mystical powers. You’ll also find globe-trotting action from
Old Town Prague to a chateau in France to the far reaches of Mongolia. It has scenes that will bring to mind movies
from Indiana Jones to James Bond. But
even though it has all the elements of a spell-binding, epic adventure, their implementation
hurt the pace, making the book somewhat of an epic read.
The story centers around Julian Siebeko (Jules), a young,
black freelance treasure hunter. But if
you have a stereotype for that profession, I’d guess he’s nothing like it. He’s impatient, almost hostile toward the
thoughts and plans of others, yet he constantly ends up in trouble
himself. He repetitively changes loyalties
among three competing factors – a group of unorthodox archaeologists, a
ruthless billionaire, and the head curator of the British royal family. Then, he’s forced to seek help from one of
the others to extricate himself. He’s
also driven by an insatiable urge to retrieve a bangle stolen from his dying
mother, but when he secures it, he just finds other troubles. True, the book
sees Jules maturing, but the ‘go your own way, then get help’ routine gets
repeated too frequently. Additionally,
some things about his character are simply inexplicable. For such an extremely well-read and
intelligent individual, he talks like he never finished 3rd grade (“I ain’t a hacker on the
level you people play by, but I do what I gotta.”). Sure, every character needs their own voice,
but this one makes no sense and seems degrading.
The settings, while far-flung and in some cases exotic, are
not used well. In general, the action
could have occurred anywhere from rural Montana to the boroughs of New
York. The opening scene, for example, is
set in Old Town Prague, but the ‘landmark’ that’s mentioned is a “fried chicken
place.” Sure, there are KFCs in Old
Town, but that’s hardly symbolic of a city brimming with incredible
architecture. And later in Rome, they “…whizzed by the fountain of
the Piazza Navona,” a place that’s usually so crowded it’s difficult to walk. The setting descriptions didn’t do anything
to create an image.
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