Historical
fiction can entertain with a look at everyday life, especially when that life
is much different than our own. The Soldier’s Return by Laura Libricz is
a good example of that approach.
The
book provides an unflinching look at life during the Thirty Years’ War (1618 to
1648), one of the longest and deadliest conflicts in Europe. But the wounds the novel depicts aren’t from
the battlefield, but from the mercenaries who live off the land. Life of those in their path is hard, as the
soldiers take what they want – food, drink, valuables, women – and destroy much
of the what’s left. Herr Tucher, master
of Sichardtshof farm, and Katarina, his maid
and mistress accept this life fatalistically, doing what’s necessary to
survive. “Children had to be fed, animals had to be
tended. Life had to go on.” Famine and disease
follow the troops. Then, if that wasn’t
enough, the region is also embroiled in witch hunts, with the fanatical Ralf
driving “…the
devil from those fallen souls. With force. With fire.”
By
today’s standards, the characters are difficult to like. For example, Herr Tucher does little to
protect his family, servants, and farm, while expecting them to make the best
of it. And in the eyes of the public,
he’s the devoted husband while ignoring his true love, the maid Katerina. Pieter, on the other hand, is a self-centered,
drunken, ill-tempered womanizer. But
these characterizations serve the story well by conveying some of the norms of
the time. Outside the nobility, women
are little more than property. Religion
is politics, with superstition and intolerance its operating principles. Survival is for the brutal or the
unscrupulous.
Clearly,
author Libricz has chosen a time and place overflowing with story-telling
potential, and generally, she uses that potential well. She weaves scenes of vivid clarity and
descriptions that evoke images. “Traveling with the troops
is like riding on the top of a wave. We can see where it’s going instead of
just waiting for the wave to drown us.” But at other points,
the prose is terse, artificial, and detached even in action scenes. “A quick visual survey showed Katarina the soldier had a dagger
on his belt, close to her detained arm.” Repetition of words
in a sentence and thoughts and actions across sections is also a minor
distraction. For example, Pieter, the returning
soldier for whom the book is named, seems to operate in cycles. Do something foolish due to drink or his
temper, get arrested, escape, repeat.
And finally, although this is book 2 of a trilogy, I expected some
issues to be closed, some secondary milestone in the series to be reached. The
Soldier’s Return just seems to end.
See on Amazon: https://amzn.to/2ufMtcF
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