The Stork is a well-crafted
mystery with a tense, action-filled finale.
The story starts fast, with a middle-of-the-night, hysterical call for
help. A child has been kidnapped. But not just any child – one that Shelby
McDougall, the series heroine, gave birth to as a surrogate mother (in Book 1
of the series). The pace then moderates.
Minor details like the sequence of
California roads taken between point A and point B get perhaps too much
coverage, but the discoveries sprinkled throughout the midsection will hold
your interest. Then, things heat up
again for the finale, allowing the reader a satisfying ‘whew’ when it’s all over.
There
are a couple of factors a potential reader should know in advance. First, although part of a series, this book
is standalone. However, if you read this
one first, you may have little motivation to return to book 1 (Due Date). That’s because there are fairly extensive
flashbacks in this book and you end up knowing the characters, the plot, and
even the outcome of book 1 (beyond the obvious that the heroine of the series
survives). So, I’ll make the highly
surprising and completely radical suggestion that you start at the beginning…or
plan on reading only this one.
Second,
if you are a fan of hard-boiled, procedurally detailed crime mysteries, you may
not get your fill. Shelby is a PI-in-training,
and so, some of her extremely ill-advised choices of what to investigate and
what to let slide and what to tell colleagues and what to omit are frustrating. But they are also undoubtedly by design; I
expect that Shelby will mature with the series.
But some are also a bit too convenient – why isn’t anyone looking at the
children’s miraculous capabilities as a way to solve the crime? And
there are a few errors, like expecting an outdoor motion detector to be activated
by throwing a stick in front of it. But
overall, these are minor.
I
particularly enjoyed the author’s imaginative turns of a phrase, often related
to a character’s emotions. Where many
authors might write the first five words of this sentence to show surprise,
Wood’s take is: “My jaw dropped in surprise
and I snapped it shut, feeling like it’d been opened and closed by some
external force. As if I were the dummy and the universe was the ventriloquist.” It would be easy to get carried away with
this kind of ‘cuteness’, but to her credit, Wood doesn’t.
Overall,
The Stork is a well-crafted book that
starts strong, sprinkles a few discoveries in the middle to keep you hooked,
then ends with a bang. And while tense
in places, it’s cozy feel makes for a comfortable, summer-afternoon read.
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