Constant
Action Pits Detective against Killer … But You Pay a Heavy Price for the Drama

At the
opposite end of the wholesome to vile continuum, we have our hero, Detective
Jack Ryder. He’s a surf-loving, single father of three, one of them a black,
teenage girl adopted when his partner was killed. He’s handsome (of course).
And because he’s an experienced detective from a more violent city, he becomes
the go-to investigator for his homicide unit in a small, county sheriff’s
department. This situation anchors the primary plotline of the book, one that
crime thriller readers will readily recognize: the virtuous detective
single-handedly pursues the despicable serial killer through a series of
heinous crimes amid a budding romance.
The best of
the genre places the hero in this detective vs. killer setting using clever
twists of fate and provide some basis for the sex. Less well-written books ride
roughshod over common sense and unfortunately, Hit the Road Jack falls
uncomfortably close to the latter group. When a child is abducted, Ryder doesn’t
send out an Amber Alert or instigate any type of city or state-wide
notification. That would spoil the one-on-one theme. When the killing escalates
and it’s clear there is a serial killer, no other city, state, or federal
agencies get involved. When someone takes a shot at Ryder, he doesn’t make an
officer-under-fire call. Nor does he call for support to locate or apprehend
the shooter. Rather, when he stumbles on the gunman’s truck at a motel, he goes
in with an unarmed civilian (his new romantic interest) as his only backup. And
so on. We, as readers, are asked to suspend disbelief much too frequently for
my liking.
Overall, the
book’s primary storyline is a bit stereotypic but appealing, and the breaks from
common sense and police practice are disguised by constant, violent action. But
if you’re the type of reader who wants a clever blending of fact and fiction,
you may want to look elsewhere.
See on
Amazon: https://amzn.to/3fQlqeK
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